In fact, Copland judged his film work to have been “excellent preparation for operatic writing…. ![]() He even won the 1950 Academy Award for Best Musical Score for The Heiress after several previous nominations. Copland's scores were critically acclaimed and enjoyed popularity in concert halls as orchestral suites. Of the ballets, his “big three” - Billy the Kid, Rodeo, and Appalachian Spring - had already achieved the status of classics, the USA's answer to Stravinsky's trilogy of Firebird, Petrushka, and Rite of Spring. ![]() By the early 1950s, Copland had become a skilled composer of dramatic music for stage and screen, with five ballets and seven film scores to his credit.
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